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zhurnalll

In a memory of great english actor TONY JAY.... Tony Jay (February 2, 1933 - August 13, 2006) was an English actor. A former member of the Royal Shakespeare Company, he was known for his voice work in animation, film and computer games. Jay's distinctive baritone voice often landed him villainous roles.
Jay appeared on-screen in several movies and on television, including Love and Death, Twins, Night Court and Eerie, Indiana. He also developed a career in the theatre, in plays such as The Life and Adventures of Nicholas Nickleby, Great Expectations, and The Merchant of Venice. Jay's other non-animation roles included Paracelsus on the 1987 CBS series Beauty and the Beast; Minister Campio on Star Trek: The Next Generation; and Lex Luthor's villainous aide-de-camp Nigel St. John in Lois & Clark: The New Adventures of Superman. He was also well known for his role as the voice of the virus Megabyte in the award-winning 3-D animated series ReBoot, and for his voice work as Judge Claude Frollo in Disney's The Hunchback of Notre Dame. He also voiced Monsieur D'Arque in Disney's Beauty and the Beast and the Slave of the Magic Mirror (from Snow White and the Seven Dwarfs) in the Disneyland/Walt Disney World nighttime light and fireworks show Fantasmic!
Jay was a devotee of classic Broadway, and has made several recordings and performances of old-time Broadway lyrics, in spoken-word form. A CD of these readings, Speaking of Broadway, was released in 2005; a version recorded years earlier of this same collection was titled Poets on Broadway, the same as his website. It features Jay reciting lyrics written by the likes of Noel Coward, Ira Gershwin, and Oscar Hammerstein and was composed entirely by him, according to the CD liner notes. He is also well-known among Legacy of Kain fans for his voicing of the original Mortanius and of the Elder God, alongside several other minor characters.
Jay was born in London, England in 1933. He attended Pinner County Grammar School.He moved to South Africa in 1966 and was involved with many radio productions on the SABC Commercial Radio Service, Springbok Radio, until 1980. He later moved to the United States, and became a naturalized citizen.
He died in Cedars-Sinai Hospital in Los Angeles on August 13, 2006, at the age of 73. He had been in critical condition since April 2006, after failing to recover from a surgery to remove a non-cancerous tumor from his lung. His interment was located at Forest Lawn - Hollywood Hills Cemetery.

In a memory of great english actor TONY JAY...

Bing Crosby. Harry Lillis Crosby, Jr. (May 3, 1903 – October 14, 1977) was an American singer and actor. Crosby's trademark warm bass-baritone voice made him the best-selling recording artist of the 20th century, having sold over one billion records, tapes, compact discs and digital downloads around the world. The first multimedia star, from 1931 to 1954 Crosby was a leader in record sales, radio ratings, and motion picture grosses. His early career coincided with technical recording innovations such as the microphone. This allowed him to develop a laid-back, intimate singing style that influenced many of the popular male singers who followed him, including Perry Como, Frank Sinatra, Dick Haymes, and Dean Martin. Yank magazine recognized Crosby as the person who had done the most for American G.I. morale during World War II and, during his peak years, around 1948, American polls declared him the most admired man alive, ahead of Jackie Robinson and Pope Pius XII. Also in 1948, the Music Digest estimated that Crosby recordings filled more than half of the 80,000 weekly hours allocated to recorded radio music. Crosby won an Academy Award for Best Actor for his role as Father Chuck O'Malley in the 1944 motion picture Going My Way, and was nominated for his reprise of the role in The Bells of St. Mary's opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. In 1963, Crosby received the first Grammy Global Achievement Award. He is one of only 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, and audio recording.

Michael Shumacher.
When Michael Schumacher burst upon the Grand Prix stage with a sensational qualifying performance on his debut for Jordan at Spa, the Grand Prix hype-machine went into overdrive, billing this young 'unknown' as the next Senna. In truth Michael's racing career had been very carefully planned before he ever stepped into a Formula 1 car, and he had the comforting prospect of major manufacturer and commercial backing with which to develop his top-level career. However, he has since proved beyond doubt that he is the supreme driver of the current era, and the target for the others to aim at.
A former karting star with but a single season of Formula Ford 1600 and Formula Konig in 1988 behind him, Schumacher was signed by leading German F3 team OTS to support Heinz-Harald Frentzen in 1989. It was a closely contested season, with the pair both finishing just one point behind series winner Karl Wendlinger. It was then that Mercedes sporting director Jochen Neerpasch stepped in with his junior-driver scheme which placed all three drivers in the Sauber-Mercedes Group C programme for 1990. Under the wise tutelage of Jochen Mass, the trio were schooled in the art of handling big, powerful cars in a very disciplined and professional framework. In parallel to his sports car drives, Michael was back in German F3, and this time won the series comfortably. He also took in two end-of-season races at Fuji and Macau, and confirmed his talent by winning them both.
Most drivers would be wanting to try their hand at F3000 by this time, but Michael was happy to stay within the confines of the Mercedes team. This second season saw a change of emphasis with the young lions Schumacher and Wendlinger paired together and allowed their heads. Both did an excellent job, but the consensus was that Michael had the edge, the pair's reward after a trouble-strewn year being victory in the round at Autopolis. With a Formula 1 drive inevitable sooner (as it would turn out) or later, nothing was left to chance and Neerpasch arranged for Schumacher to race a Formula 3000 car at Sugo, well away from the glare of publicity. He finished second and enjoyed the different experience of racing a powerful single-seater.
A month later came the Jordan drive at Spa which, after his stirring deeds in practice, ended disappointingly when Michael's clutch failed at the start. Suddenly Schumacher was a hot property and after much legal wrangling the somewhat bemused driver was whisked off to join the Benetton team in time for the next race at Monza. Three points-scoring finishes in his first three races were more than enough evidence for Flavio Briatore to plan the team's future around the German star and he was not to disappoint. In his first full Grand Prix season Michael proved to be not only very quick but also remarkably consistent, rarely making costly mistakes and putting in some scintillating performances such as his second place to Mansell in the rain at Barcelona and his climb through the field to third at Monza after being left at the start. Of course, the supreme moment was his fully deserved, if slightly fortunate, win at Spa where he made his own luck - and reaped the rewards.
The 1993 season provided more evidence of Schumacher's increasing maturity. Only Williams' dominance stood between him and the top step of the podium on numerous occasions and he took a superbly thought-out win at Estoril. Much work was done over the winter months, and when the new Benetton B194, mated with the Ford Zetec-R V8 engine, was placed in Schumacher's hands he left Senna and Williams struggling in his wake in the opening two races. It seemed that the balance of power might be about to shift, and tragically it did so at Imola, leaving Michael with the prospect of chasing a World Championship which he felt would be much devalued by the loss of the Brazilian. From then on his season was to be surrounded by controversy. Amid rumblings that the team were running some form of traction control, Schumacher won six of

Michael Shumacher

UNITED IN AMERICA. Our goal is to Unite everybody with music, art, and culture.
UNITE ALL FOR A BETTER GOOD!
https://soundcloud.com/unitedinamerica
https://www.mixcloud.com/unitedinamerica
https://www.instagram.com/unitedinamerica
https://twitter.com/unitedinameric4
For those who are not afraid of snow, cold nights and financial crisis I suggest you join us at STEREO Nightclub which traditionally began welcoming all music and dance lovers from Eastern Europe in 2011. In this venue you will enjoy intelligent electronic art of sounds with fashionable atmosphere every-time.
We are three DJs who are from Ukraine, now live in Chicago and collaborate on a once a month United in America party that we do at STEREO Nightclub. These parties will take you to the atmosphere of the Trust us we know, as Tima Fei is from Ternopil, DJ UZO from Kharkov and DJ MiR is from Zaporozhye.
DJ MiR | [#MIR - https://soundcloud.com/mir_usa
The best House DJ from Zaporozhe, Ukraine - Night Life Awards. Guest DJ on KISS FM (Ukraine), Resident SSradio (London), and mixed on radio shows with Snna (Spain), Marco Effe (Italy), Luca Bear (Italy) and many more.
Tima Fei (NORdjs) | [#Tima_Fei - https://www.mixcloud.com/timafei/]
Chicago based DJ/Producer from NORdjs. Born in Ternopil, Ukraine. Travels & expresses himself in the world of Art, Music and Fashion.
http://www.nordjs.com/
DJ UZO The Black Russian | [#UZO - https://soundcloud.com/officialdjuzo]
I am of Nigerian, Cameroonian and Russian descent. Born and raised in Ukraine. My DJ career started in late 2005-early 2006 while I was studying in college. Ever since then I have been exploring various music genres and vibes. After living and DJing in top clubs in the state of Indiana for 5 years, I continued the pursuit of my musical career in Miami, FL. I spent my time developing my love for house music and underground sound, and now I have moved to the city of Chicago in order to embrace the roots of where it all started. Currently I am working on my own music and developing my own sound.
Feel free to check out my music at dj.beatport.com/djuzo.
This is a mix that I have created in connection to my African roots.
I AM AFRICAN -- https://www.mixcloud.com/djuzo/i-am-african/
Facebook:
Tima Fei - https://www.facebook.com/timafeiNORdjs/
DJ UZO - https://www.facebook.com/officialdjuzo

UNITED IN AMERICA

GAUDI London, Britain (UK). Инновационный подход Gaudi к живым выступлениям, а также его универсальность в качестве музыкального продюсера всегда находила заинтересованного слушателя на протяжении его яркой и плодотворной карьеры. Музыку Gaudi трудно определить стилистически так как он постоянно эволюционирует, как артист. За последние 30 лет его прибывания в музыкальной индустрии, разносторонность музыканта отражалась во множестве стилей и направлений, таких как панк, нью вэйв, даб и регги, экспериментальная электроника и других направлениях музыки. Музыка Gaudi раскачивает танцполы не зависимо от направления и стиля и всегда имеет воздействие на слушателя, за счет присутствия в его звучании глубоких басовых линий и объемных дабовых звуков, на основе которых реализуется безграничный звуковой потенциал электронной музыки. Gaudi постоянно путешествует по миру, как сольный исполнитель, продюсер и уважаемый музыкальный исследователь. Награды, золотые диски, премии и номинации, хиты в различных хит-парадах - все это результат 12 изданных сольных альбомов, более 250 музыкальных треков и 90 ремиксов, которые были изданы на более чем 120 компиляциях. Несмотря на серьезный опыт и достижения этот лондонский музыкант не собирается останавливаться на достигнутом и постоянно занимается поиском новых решений в сфере электронной бас музыки.
Recently nominated for the “World Music Awards” with his chart topping album ‘Dub Qawwali’, Gaudi’s eclectic style and versatility has kept him at the forefront of his field throughout a notable and prolific career; this latest accolade confirms the London-based Italian-born music producer/solo artist’s credentials as a force to be reckoned with in the international music scene. There is a natural sensitivity to Gaudi’s music which enables him to unify different forms of sound from around the world and represent them in his own personal style, while at the same time, most importantly, keeping the heart, integrity and significance of the cultural roots. His music, which is an organic fusion of Dub, Electronica and Worldbeat is rarely off the playlists and regularly being performed live in the UK and internationally. No newcomer, Gaudi has been stretching the boundaries of music since the start of his career in 1980 and since then he has cultivated his obsession with music by constantly searching and experimenting with new forms of sounds and grooves. A classically trained pianist and Theremin player with a fascination for anything that could produce sound distortion, Gaudi began his career as composer and producer experimenting with analogue synthesizers, filtered vocals and tape echoes; Even back then he created a sound that was very much his own: a sort of crossover between Roots reggae-dub and the early 80’s “no-wave” movement. (see cult labels Ralph Records” and 99 Records). After been featured on many records as keyboard player, producer and songwriter, in 1986 Gaudi began his first solo reggae project as a singer and signed his first major record deal with Polygram/Mercury for his first 2 solo albums Basta Poco and Gaudium Magnum. After several years of massive national media exposure, promotion and intense touring (alongside reggae legends such as The Wailers, Jimmy Cliff, Third World, Ziggy Marley, Michael Rose, Yellowman, Sister Carol, Mutabaruka, I-Three, Freddy Mc Gregor, Maxi Priest), Gaudi, with his need for constant artistic evolution left Italy and moved to London, where access to a growing international and more groundbreaking music industry would allow him to continue to develop both artistically and professionally. After reaching no.1 in the UK charts in 1996 with his remix of Cool Jack’s “Jus’ Come”, Gaudi confirmed his credentials as a top remixer and since then has remixed some of the most important names in the business, most notably: Bob Marley, Desmond Dekker, Zion Train, The Upsetters, Africa Bambaataa, Apache Indian, General Levy, Simple Minds, Fat

GAUDI London, Britain (UK)