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Музыкальная группа: "Гос-Кеды"

Музыкальная группа: "Гос-Кеды"

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WWB - IT Literacy. Мир Без Границ - AIESEC проект в Харькове! #WWB_Kh
Хотите улучшить свой английский? Узнать об особенностях культуры на разных континентах непосредственно от их носителей? И просто познакомиться с интересными людьми? Не упустите замечательную возможность воплотить эти желания в реальность!
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On this winter 2016 , From January 11 to February 22 , There will be Interns from Various part of World to Kharkiv to Volunteer and Teach the Students about Cultures and Computer world . Interns will Volunteer in Schools and Universities , to understand the prospects of IT sphere and also Teach about Modern Technology and Computer world, Cultural Understanding between countries and Opportunities , Enabling school students and youth can gain practice in English and its motivate them to choose there career and build dreams.
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WWB - IT Literacy

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Russian teacher (преподаватель русского языка)

Procter & Gamble Kazakhstan Recruitment

KURɅ. Stars are born, not made. This is exactly what comes to mind when we think of DJ and producer, KURA. He’s 28 years old and is already the 61st most popular DJ in the world according to DJ Mag’s Top100 2015, and is signed to the most important worldwide EDM label, Spinnin Records and with bookings managed by world renowned, Anna Agency.
KURA has under his belt several releases for labels such as Hardwell’s Revealed Recordings, Oxygen/Spinnin Records, Ferry Corsten’s Flashover Recordings, Robbie Rivera’s Juicy Music, Nicky Romero’s Protocol Recordings, and Armin Van Buuren’s Trice/Armada Music, as well as Ultra Music, among others, and lots more are on the way. Add to this his remarkable charisma and talents on a DJ booth and you have the key ingredients to make it in today’s competitive and worldwide electronic scene.
It’s rather curious for a DJ that names Hardwell, Axwell, Nicky Romero and Alesso as his main references when it comes to music production to have been introduced to dance music through Carl Cox’s Fact 2 compilation. KURA was 11 years old when a classmate’s Walkman playing “Fact 2” captured his attention. This was the first electronic dance music CD bought by young KURA, and the dance music expedition began. By the early 2000s he started going out to clubs and his attention grew sonically to the disco filtered french touch of Martin Solveig, Modjo, Black Legend, and of course, to the big beat of his all-time musical heroes, Daft Punk. Growing up with such musical diversity had a long and withstanding effect on Kura: he loves music whether it’s underground or commercial, as long as it’s good and strong, he’ll surely and happily play it. The high school’s radio station was just one step ahead and that’s where Kura began to select records and play them for an audience.
By 2005 he landed on his part time job at a skate shop near the beach on the outskirts of Lisbon. Luckily for the rest of us there was a DJ booth at the shop, and when no one was around, KURA would play and practice on it. Opportunity knocked and young KURA started to organize parties, just to play, in Cascais’s club, Coconuts. His first DJ residency came along and he became Bahaus resident DJ for 3 years. Having to play regularly before a crowd created the emergency for music production – “I needed my own edits. I needed to change what I didn’t like or thought wouldn’t work on a dancefloor” – he states. His first bootleg was a hit among his peers – Sydney Samson’s “Work It” on Hardwell’s remix crossed with Bob Marley – made a dancefloor stomper and soon after his fellow DJs were asking him for the bootleg. More edits came along and his music production skills were starting to be noticed. KURA upgraded to Logic Pro 8 and made his first original track, “Russian Guitar” that was pick up by Portugal’s first and finest label, Kaos Records.
His name grew as a DJ and he was invited to play as a resident DJ at Lisbon’s Kapital, and then at the summer club, Tamariz, and then to Gossip, a 1.500 people capacity club in Lisbon. Production wise his tracks and remixes were coming out regularly and the invitations to play in other clubs started to come in, it was time to leave his residencies and focus on a freelance career, and that’s what KURA did. As his productions got stronger his invitations to play in bigger & better clubs grew.
The international breakthrough would come with his track “Brazil”. Roger Sanchez picked it up from the thousands of promos he usually received and played it on his infamous Release Yourself Radio Show. The track was released and KURA’s name became the one to keep an eye on as the fastest riser on the Portuguese EDM scene in years. But it wouldn’t be only Roger Sanchez to notice KURA’s music production talents, Thomas Gold would also play his tracks “Polaris”, “Love Will Find You”, a remix of “Nightrain” as well as a bootleg of Adele signed by KURA on his radio show. Besides these KURA also got support for his tr

LaBrAT. Once upon a time, in a land not far away, four pieces of scum, bound together by circumstances not beyond their control, hatched a hideous, diabolical plan to fuck with peoples' heads by defiling the conventions of modern music through dischordance, non-existant chord-progressions and irregular tempo changes. SICK of constantly seeing bands around them pathetically trying to pander to the whim of the masses, our four fuckwits locked themselves in the unused function room of a South-East London pub and went to work...
Make no mistakes; Labrat's music is brutal. Labrat hit like a bulldozer, trampling over anything that lies in their path, irrespective of the outcome. The music careers wildly through a visceral, racketeering vein that has served Raging Speedhorn so well in recent months. This is not music for the faint-hearted, not in the slightest.
With a handful of line-up changes along the way, the four-piece formed around London, three years ago. Once a more permanent line-up had taken shape, the band set about laying down tracks for their debut record. The result was the 'Theme For A Downer And Anthems Of Rejection' single- released in 1998 on Fear Family Assassins Records. The metal music press jumped on the record like a pack of starving hyenas, united in their general adoration and appreciation for the harsh, belligerent sounds on display.
A short tour of the UK beckoned following the single's release, as Labrat left a trail of destruction and caused a near-riot amongst 400 people at their show in Rugeley. Cardigan-wearing, floppy-fringed, lily-livered wimps sitting on stools with acoustic guitars pining and moping, this lot are not.
Much of 1999 was a flurry of activity. In March, the band appeared alongside Napalm Death, Iron Monkey and Medulla Nocte on 'Slayed In Britain', a Rock Radio Network feature intended to highlight the metal scene in the UK and was broadcast to over 250,000 listeners worldwide.
Another turning point for the band was their gig in May at London Borderline; it was an opportunity for the band to see just how widespread their popularity was. Later on in the year, Labrat would go on to outsell Tairrie B's latest band My Ruin in Newcastle.
Over the next year, much time was spent writing new material and honing their raw skills both in the rehearsal room and on the live circuit, playing anywhere that would have them. Tracks appeared on numerous compilations including 'Phuelled By Farmaceuticals' on 'Century Media Blitz 2' and most recently on Visible Noise sampler 'Visibility' with their song 'Merrick Sympathiser'. The track features abrasive guitars, almost primal growling and speeded drums whipped into chaotic frenzy with skull-cracking consequences.
In February 2000, Labrat were joined by Freebase for a handful of manic dates in Ireland. Leading on from the success of those dates, in the summer, the band organised a DIY co-headline tour of the UK with Subvert. A thousand copies of 'Homegrown Brutality', a spilt CD of the two bands was pressed up by Noisebox Records, and subsequently sold out.
More gigs with Skinlab, Raging Speedhorn and Earthtone9 have done nothing if not expand the band's growing legion of fans who are equally- if not more- enamoured with Labrat's brutal intensity as the press.
Due to personal differences, original singer Rob McAuslan left the band in April 2002. The band then drafted in not one, but two new growlers in the shape of Jamie Farrell (ex-Tangaroa/Sceptre Of Piss) and Martin Ives (ex-Morose) and are stronger than ever. Recent dates with Mistress, Cathedral and Rock Bitch have proved this. And their debut album 'Ruining It For Everyone' gained much critical acclaim in the British metal and rock press upon its release in May this year.
Labrat are about as subtle as a neon sign, and about as delicate and fragile as an ele