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club52446626

Skill Hard Trolling Battles. — Паблик не относится к троллингу, в данном паблике всего лишь скриншоты сообщений из бесед.
— Паблик не носит оскорбительный характер, а только развлекательный!
— Паблик был создан для смешных постов и так далее!
— Показываем заблокированные страницы и группы, которые заморожены за нарушения правил ВК.
— Я не являюсь администратором, сотрудником, модератором социальной сети Вконтакте.
➢ ПАБЛИК 18+
• Мы ни в коем случае ни кого не призываем к Троллингу или Тролль Атакам!
• Ничего не принимайте всерьез, все это - Шутки, черный юмор, сарказм, бред!
• Мы никого не побуждаем повторять за нами, в противном случае ответственность будете нести исключительно вы!
• Данное сообщество не пропагандирует экстремизм, наркотики, насилие и другие противоправные действия, а всего лишь демонстрирует происшествия и события.
➢ В паблике запись про вас и вам это не нравится? Напишите нам в Личное Сообщение и мы удалим материал. (укажите ссылку на запись

Skill Hard Trolling Battles

|exe.cfg| Hard+#Skill. ╔════════════════════════════
║ ✔ Клан cs 1.6 |exe.cfg|
║ ✔ Группа : http://vk.com/club70615910
║ ✔ Клан cоздан 29 апреля 2014 года
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║ ✔ Победы:]-— —-> [0]
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║ ✔ Сыграных турниров : 0
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║ Администрация клана |exe.cfg|
║ Skype: ilyabozep and kiler792
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║ ☆Запрещено в группе клана |exe.cfg|
║➊.Спам
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|exe.cfg| Hard+#Skill

Dennis Ferrer. Deep House / Soulful House / Hi-Tek Soul
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Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.
Ferrer burst back into the consciousness of most dance music heads with the release of Sandcastles, (Ibadan) his collaboration with Jerome Sydenham in 2003. A throwback to his techno roots as producer of the first ever release on Synewave in 1994 and mixed with a healthy dose of soul, the track was a massive hit for the duo. But, to his credit, Ferrer didn't simply repeat the formula afterwards. Instead, whether it's been the gospel house sounds of his remix of Blaze & Barbara Tucker's Most Precious Love (Defected) or the deeper-than-deep rework of Fish Go Deep's The Cure & The Cause, (Defected) Ferrer has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.
Son of Raw, (Ibadan) Church Lady, (Defected) Underground Is My Home, (King Street Sounds) and Touched the Sky (King Street Sounds) have all been huge dancefloor anthems and all show a different side of the Ferrer personality. As he's said in interviews, It doesn't matter if it's gospel house, Brazilian house, jazz house, or whatever. As long as it's got soul and moves people, that's all that matters. Collected on his full-length The World As I See It (King Street Sounds), it's a sound that reached many different audiences. Transitions and P2DaJ were huge in the techno world, while the beautiful ode How Do I Let Go was a hit in the gospel house scene, the success of which has become bittersweet considering the recent passing of its vocalist, KT Brooks, one of Ferrer's favorite vocal collaborators.
But Ferrer isn't just limiting the explosions to his own label. His remix of the Sunburst Band's Journey to the Sun (Z Records) is a stunning crystallization of his stripped-down dubby and techie side and so far 2009 is shaping up to be a great year for Ferrer. He started out 2009 with quick acclaim from the top download store Beatport who awarded him Best Deep House Artist of 2009. But that wasn't enough to make Ferrer rest, for most of the year in-between a heavy DJ schedule, he's been hold up in his super secret Hoboken New Jersey studio completing work on what will most certainly be his most accessible album to date. Tentatively entitled The More Things Change the record features a ton of surprises that we ain't gonna reveal just yet - lets just say the album will see a new bench mark set in Ferrer's production. Trust us when we say people are going to sweating hard for this.
Ferrer also released the piano driven summer smash Sinfonia Della Notte on Strictly Rhythm in May which fans and press alike have been bugging over. DJ Mag said the single was leading the charge for a piano chord driven house music revival but we know Ferrer is just flexing one of his many skills. As always with Ferrer the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator.
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Union City, New Jersey (United States)

Степан Суббота. Наставник ХАРД. Математика. Привет, будущий 100 балльник!
Рад видеть тебя в нашей Скилл-группе Плюс HARD! Если ты читаешь это сообщение, то уже сделал большой-большой шаг на пути к числу высокобалльников нашей страны!
Через эту группу ты узнаешь о ближайших пробниках и домашках, а также можешь задать мне любой интересующий вопрос по образовательной части)
А еще я кидаю вам много полезной информации, поэтому внимательно следите за постами и не забывайте отмечаться в комментариях)
Обнимаю каждого! Не стесняйтесь мне почаще писать!)

Степан Суббота. Наставник ХАРД. Математика

Oliver Nelson. Oliver Nelson was a distinctive soloist on alto, tenor, and even soprano, but his writing eventually overshadowed his playing skills. He became a professional early on in 1947, playing with the Jeter-Pillars Orchestra and with St. Louis big bands headed by George Hudson and Nat Towles. In 1951, he arranged and played second alto for Louis Jordan's big band, and followed with a period in the Navy and four years at a university. After moving to New York, Nelson worked briefly with Erskine Hawkins, Wild Bill Davis, and Louie Bellson (the latter on the West Coast). In addition to playing with Quincy Jones' orchestra (1960-1961), between 1959-1961 Nelson recorded six small-group albums and a big band date; those gave him a lot of recognition and respect in the jazz world. Blues and the Abstract Truth (from 1961) is considered a classic and helped to popularize a song that Nelson had included on a slightly earlier Eddie Lockjaw Davis session, Stolen Moments. He also fearlessly matched wits effectively with the explosive Eric Dolphy on a pair of quintet sessions. But good as his playing was, Nelson was in greater demand as an arranger, writing for big band dates of Jimmy Smith, Wes Montgomery, and Billy Taylor, among others. By 1967, when he moved to Los Angeles, Nelson was working hard in the studios, writing for television and movies. He occasionally appeared with a big band, wrote a few ambitious works, and recorded jazz on an infrequent basis, but Oliver Nelson was largely lost to jazz a few years before his unexpected death at age 43 from a heart attack.