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Закрыт@я школа♥♥♥♥(личная жизнь актёров)

Закрыт@я школа♥♥♥♥(личная жизнь актёров)

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ID: 41366483

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информация о закрытой школе

The Economist. The Economist offers authoritative insight and opinion on international news, politics, business, finance, science, technology and the connections between them.

KORAI ÖRÖM. Стиль (согласно СМИ): ambient, urban folk, earth psychedelics, action-music, the folk music of non-existing folks.
Стиль (согласно группе): worldmusic. ethno-trance-tribal-metal
Members:
Sound:
Gábor Borosi - keyboards (2009-
Viktor Csányi - drums (1991-
János Jócsik - percussion (1990-
Zoltán Kilián - bass (1990-
Zsolt Nádasdi - percussion (1992-
Miklós Paizs - fuyara, pipes, jews harp, trumpet, khöömei throat singing (1994-
Péter Szalay - guitar (1998 -
Andor Kovács - guitar ( 2011-
Tibor Vécsi - vocal (1992-
András Mester-Kökény-Lovas - sound engineer (2011-
Vision:
Zoltán Bonnyai - Vj. (1992-
The band Korai Öröm was formed in 1990.
The band’s new 9th consecutive album recorded in Studio R33 is being released in the first week of March 2010 by the record label 1G Records.
Over the past 20-odd years, Korai Öröm performed on the big stage at the Sziget Festival on 2 occasions and on the Wan2 stage each year, and was also regularly invited to perform at major festivals organised in Hungary (Volt Festival, Tokaj Hegyalja Festival, EFOTT, Balaton Sound). The band equally feels at home when performing at foreign festivals and clubs and over the past 3 years only has hit the stage in various cities located in the following countries: Holland, Italy, Austria, France, Belgium, Switzerland, Slovakia, Slovenia, Poland, Romania and Serbia.
VJs accompanying the band have been making concerts even more spectacular ever since the beginning.
The band plays progressive, tribal-trance-ethno style music.
This is what the media has to say: ambient, urban folk music, psychedelic ethno, progressive action music characteristic of the 90s.
Korai Öröm amalgamates the sounds of an array of ethnicities and galaxies in its music, which is indescribably abundant, yet most certainly digestible.
Some quotes from the press:
Some quotes from the press:
original post-folk, psyhedelic, trans-out Hungarian ravers
FOLK ROOTS, (UK)
They have definitely developed their own signature sound... Probably the best new psychedelic ensemble around!
WAYSIDE MUSIC (USA)
The music of Korai Öröm is overwhelming, visionary and at the same time humane, natural, mindexpanding... real earth psychedelics.
CROHINGA WELL (Belgium)
Original, not copied from MTV, but an up-to-date band.
NÉPSZABADSÁG (Hungary)
Their astro-dub-rock shaman tribes art is not just music, they create moods translating to the audience music of non-existing folks, Each show can be perceived as fully artistic action.
MAGYAR NARANCS (Hungary)
Korai Öröm merges the sounds of many nations and galaxies.
MY WAY (Germany)
...take a measure of psychedelic music and add a solid dose of East European shamanistic folk ritual that has been around for centuries.
CRANIUM MUSIC (New Zealand)
The band has propelled itself into the enviable position of being an eminent member of the international music scene & A unique presence in Hungarian music life, which produces genuine music that has never been labelled as a certain kind of music genre& An antithesis of Hungarian pop business, made thoughtful use of the popularity of techno, acid and progressive dance music and emerged with tunes that were a cross-section of psychedelic punk rock, ethno and modern dance music, although the band members themselves refer to their music as a state of mind or general effusion& Music and cinema under the same roof, a complex entertainment for the eye and the ear.
BUDAPEST SUN
The most important underground band of the 90-s. The connecting link between alternative and dance music.

Cary Brothers. Wry, thoughtful singer/songwriter Cary Brothers broke into the mainstream with the single Blue Eyes, a gorgeously articulate ballad he contributed to 2004's Grammy-winning, hip-artist-showcasing Garden State soundtrack. Born in 1974 to a watercolorist mother and surgeon father, Brothers eschewed the sounds of his native Nashville in favor of Britpop artists like the Cure and the Smiths. Brothers attended college at Northwestern University in the early '90s, where he met Zach Braff, the writer, director, and star of Garden State. Both moved to L.A. after graduation, where Braff rounded out his acting résumé and Brothers partnered with a friend to open a small production company that produced, among other things, the Freddie Prinze, Jr., movie Sparkler.
By 2002, though, his instinct to make music had overtaken his drive to rub shoulders with Hollywood insiders. Brothers, who by then had developed an appreciation for the country-folk music he couldn't be bothered with as a youngster in Nashville, began playing around L.A. at such venues as the Hotel Cafe, a local haunt for upcoming singer/songwriters. There he honed the early material that would win over more than 10,000 buyers for his reverb-ringed spring 2005 EP All the Rage.
Before that disc came out, though, Brothers — with the help of buddy Braff — had already taken his sound to the small screen after an appearance on Scrubs. His swelling popularity, by then best evidenced by the iPod charts, where Blue Eyes broke the Top 100 Songs list and topped the folk chart, was also helped along by his business acumen. In 2004, he hit upon an idea for connecting with potential listeners: he conceived a free, downloadable song of the week, still available on his website, that would allow fans of his moody, Coldplay-meets-U2 sound to send him feedback on what they liked and what, for them, could use some retooling.
By fall 2005, when a second EP, Waiting for Your Letter, was issued on his Procrastination Music label, the spike in visits to his site had confirmed that the concept was working. Armed with a strong fan base, Brothers released his debut full-length, Who You Are, in May 2007.

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