Описание
This is a Catalan name. The first family name is Dalí and the second is Domènech.
Salvador Dalí
Salvador Dalí photographed by Carl Van Vechten on November 29, 1939
Birth name Salvador Domingo Felipe Jacinto Dalí i Domènech
Born May 11, 1904
Figueres, Spain
Died January 23, 1989 (aged 84)
Figueres, Spain
Nationality Spanish
Field Painting, Drawing, Photography, Sculpture, Writing, Film
Training San Fernando School of Fine Arts, Madrid
Movement Cubism, Dada, Surrealism
Works The Persistence of Memory (1931)
Face of Mae West Which May Be Used as an Apartment, (1935)
Soft Construction with Boiled Beans (Premonition of Civil War) (1936)
Swans Reflecting Elephants (1937)
Ballerina in a Death's Head (1939)
Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening (1944)
The Temptation of St. Anthony (1946)
Galatea of the Spheres (1952)
Crucifixion (Corpus Hypercubus) (1954)
Salvador Domènec Felipe Jacinto Dalí i Domènech, Marquis de Púbol (May 11, 1904 – January 23, 1989), commonly known as Salvador Dalí (Catalan pronunciation: [səɫβəˈðo ðəˈɫi]), was a prominent Spanish surrealist painter born in Figueres, Catalonia, Spain.
Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage", claiming that his ancestors were descended from the Moors.
Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork to the dismay of those who held his work in high esteem and to the irritation of his critics
