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Kazuo Ono
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![Kazuo Ono. Дата рождения: 27.10.1906
Дата смерти: 1.6.2010
Биография:
Один из двух основателей стиля буто.
Родился на Хоккайдо. Начал заниматься танцем в 1933 г. Сотрудничал с Тацуми Хиджиката с первых дней появления буто. Сердцем его работы остается импровизация, стремление показать непосредственную жизнь вселенной в каждый момент. В отличие от большинства танцоров в этом стиле, его работа полна эмоций, заключенных в ярких внутренних образах. Оно прекратил выступления и не выступал достаточно долго, пока в 1977 году его не вдохновила одна картина и он вернулся в танец в возрасте 71 года. Admiring La Argentina - самая известная из его работ. Ему был 101 год и он был прикован к инвалидной коляске. Но он все еще танцевал - танец был в его руках. Кацуо Оно, был одним из самых ярких и экстраординарных танцоров Японии начиная с 50х годов прошлого века. Именно он принес стилю Буто столь высокую популярность во всем мире/
Kazuo Ohno (大野一雄 Ohno Kazuo?) (October 27, 1906 – June 1, 2010) was a Japanese dancer who became a guru and inspirational figure in the dance form known as Butoh.[2] It was written of him that his very presence was an artistic fact.
He is the author of several books on Butoh, including The Palace Soars through the Sky, Dessin, Words of Workshop, and Food for the Soul. The latter two were published in English as Kazuo Ohno's World: From Without & Within (2004).
Ohno once said of his work: The best thing someone can say to me is that while watching my performance they began to cry. It is not important to understand what I am doing; perhaps it is better if they don't understand, but just respond to the dance.[2]
He is featured on the cover of Antony and the Johnsons' 2009 CD The Crying Light, which is dedicated to him.
Early life
The son of a fisherman and a mother who was an expert in European cuisine, Ohno was born in Hakodate City, Hokkaido Prefecture, Japan, on October 27 in 1906. He demonstrated an aptitude for athletics in junior high school and graduated from an athletic college in 1929, teaching physical education at a Christian high school. In 1933, Ohno began studying with Japanese modern dance pioneers Baku Ishii and Takaya Eguchi, which qualified him to teach dance at the Soshin Girls' School in Yokohama (from where he retired in 1980.)
In 1938, Ohno was drafted into the Japanese Army as a lieutenant, and later rose to captain. He fought in China and New Guinea, where he was captured and interned by the Australians as a POW.[2] The war and its horrors provided him with inspiration for some of his later works, such as Jellyfish Dance, thought to be a meditation on the burials at sea he had observed on board the ship transporting soldiers back to Japan.
Career
After the war, he began work on his dance again, and presented his first solo works in 1949 in Tokyo.[2] In the 1950s, he met Tatsumi Hijikata, who inspired him to begin cultivating Butoh, a new form of dance evolving in the turmoil of Japan's drab postwar landscape. Hijikata, who rejected the Western dance forms popular at the time, developed with Ohno and a collective group the vocabulary of movements and ideas that later, in 1961, he named the Ankoku Butoh-ha movement.
During the 1960s, Ohno sought his own style, while collaborating with Tatusmi Hijikata. In 1977, he premiered his solo La Argentina Sho [Admiring La Argentina], directed by Hijikata and dedicated to the famed Spanish dancer Antonia Mercé (known as La Argentina, whom he had seen perform in 1926.) He received Japan's prestigious Dance Critics' Circle Award for the performance and subsequently toured the piece, impacting the international dance world from the 14th International Festival at Nancy, France, in 1980, to his American debut in 1981 at La MaMa Experimental Theatre Club in New York City. Other citie](https://sun9-64.userapi.com/impf/c9700/g21092891/b_07b050d2.jpg?quality=96&as=32x32,48x48,72x72&sign=09518a2841085e1d848b059ee4fd578a&u=BAbyMxAGSktuNkqFPid3S1TItu_-SpBPn9LeWf82gvU&cs=480x480 "Kazuo Ono. Дата рождения: 27.10.1906
Дата смерти: 1.6.2010
Биография:
Один из двух основателей стиля буто.
Родился на Хоккайдо. Начал заниматься танцем в 1933 г. Сотрудничал с Тацуми Хиджиката с первых дней появления буто. Сердцем его работы остается импровизация, стремление показать непосредственную жизнь вселенной в каждый момент. В отличие от большинства танцоров в этом стиле, его работа полна эмоций, заключенных в ярких внутренних образах. Оно прекратил выступления и не выступал достаточно долго, пока в 1977 году его не вдохновила одна картина и он вернулся в танец в возрасте 71 года. Admiring La Argentina - самая известная из его работ. Ему был 101 год и он был прикован к инвалидной коляске. Но он все еще танцевал - танец был в его руках. Кацуо Оно, был одним из самых ярких и экстраординарных танцоров Японии начиная с 50х годов прошлого века. Именно он принес стилю Буто столь высокую популярность во всем мире/
Kazuo Ohno (大野一雄 Ohno Kazuo?) (October 27, 1906 – June 1, 2010) was a Japanese dancer who became a guru and inspirational figure in the dance form known as Butoh.[2] It was written of him that his very presence was an artistic fact.
He is the author of several books on Butoh, including The Palace Soars through the Sky, Dessin, Words of Workshop, and Food for the Soul. The latter two were published in English as Kazuo Ohno's World: From Without & Within (2004).
Ohno once said of his work: The best thing someone can say to me is that while watching my performance they began to cry. It is not important to understand what I am doing; perhaps it is better if they don't understand, but just respond to the dance.[2]
He is featured on the cover of Antony and the Johnsons' 2009 CD The Crying Light, which is dedicated to him.
Early life
The son of a fisherman and a mother who was an expert in European cuisine, Ohno was born in Hakodate City, Hokkaido Prefecture, Japan, on October 27 in 1906. He demonstrated an aptitude for athletics in junior high school and graduated from an athletic college in 1929, teaching physical education at a Christian high school. In 1933, Ohno began studying with Japanese modern dance pioneers Baku Ishii and Takaya Eguchi, which qualified him to teach dance at the Soshin Girls' School in Yokohama (from where he retired in 1980.)
In 1938, Ohno was drafted into the Japanese Army as a lieutenant, and later rose to captain. He fought in China and New Guinea, where he was captured and interned by the Australians as a POW.[2] The war and its horrors provided him with inspiration for some of his later works, such as Jellyfish Dance, thought to be a meditation on the burials at sea he had observed on board the ship transporting soldiers back to Japan.
Career
After the war, he began work on his dance again, and presented his first solo works in 1949 in Tokyo.[2] In the 1950s, he met Tatsumi Hijikata, who inspired him to begin cultivating Butoh, a new form of dance evolving in the turmoil of Japan's drab postwar landscape. Hijikata, who rejected the Western dance forms popular at the time, developed with Ohno and a collective group the vocabulary of movements and ideas that later, in 1961, he named the Ankoku Butoh-ha movement.
During the 1960s, Ohno sought his own style, while collaborating with Tatusmi Hijikata. In 1977, he premiered his solo La Argentina Sho [Admiring La Argentina], directed by Hijikata and dedicated to the famed Spanish dancer Antonia Mercé (known as La Argentina, whom he had seen perform in 1926.) He received Japan's prestigious Dance Critics' Circle Award for the performance and subsequently toured the piece, impacting the international dance world from the 14th International Festival at Nancy, France, in 1980, to his American debut in 1981 at La MaMa Experimental Theatre Club in New York City. Other citie")
![2PAC fan club!!. Early life
Tupac Amaru Shakur was born in the East Harlem section of Manhattan in New York City.[7] He was named after Túpac Amaru II, a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed. His mother, Afeni Shakur, was an active member of the Black Panther Party in New York in the late 1960s and early 1970s; Shakur was born just one month after her acquittal on more than 150 charges of Conspiracy against the United States government and New York landmarks in the New York Panther 21 court case.[8] Although officially unconfirmed by the Shakur family, several sources list his birth name as either Parish Lesane Crooks or Lesane Parish Crooks.[9] Afeni feared her enemies would attack her son, and disguised their relation using a different last name, only to change it three months or a year later, following her marriage to Mutulu Shakur.
Struggle and incarceration surrounded Shakur from an early age. His godfather, Elmer Geronimo Pratt, a high ranking Black Panther, was convicted of murdering a school teacher during a 1968 robbery, although his sentence was later overturned. His stepfather, Mutulu, spent four years at large on the FBI's Ten Most Wanted Fugitives list beginning in 1982, when Shakur was a pre-teen. Mutulu was wanted in part for having helped his sister Assata Shakur (also known as Joanne Chesimard), his godmother, to escape from a penitentiary in New Jersey, where she had been incarcerated for allegedly shooting a state trooper to death in 1973. Mutulu was caught in 1986 and imprisoned for the robbery of a Brinks armored truck in which two police officers and a guard were killed.[10] Shakur had a half-sister, Sekyiwa, two years his junior, and an older stepbrother, Mopreme Komani Shakur, who appeared on many of his recordings.
At the age of twelve, Shakur enrolled in Harlem's famous 127th Street Ensemble. His first major role with this acting troupe was as Travis in A Raisin in the Sun. In 1984, his family relocated to Baltimore, Maryland,[11] After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. He performed in Shakespeare plays, and in the role of the Mouse King in The Nutcracker.[10] Shakur, accompanied by one of his friends, Dana Mouse Smith, as his beatbox, won most of the many rap competitions that he participated in and was considered to be the best rapper in his school.[12] Although he lacked trendy clothing, he was one of the most popular kids in his school because of his sense of humor, superior rapping skills, and ability to mix in with all crowds.[13] He developed a close friendship with a young Jada Pinkett (later Jada Pinkett Smith) that lasted until Shakur's death. In the documentary Tupac: Resurrection, Shakur says, Jada is my heart. She will be my friend for my whole life, and Smith calls Shakur one of my best friends. He was like a brother. It was beyond friendship for us. The type of relationship we had, you only get that once in a lifetime. A poem written by Shakur titled Jada appears in his book, The Rose That Grew From Concrete, which also includes a poem dedicated to Smith called The Tears in Cupid's Eyes.
In June 1988, Shakur and his family moved once again, this time to Marin City, California,[1] where he attended Tamalpais High School. Shakur began attending the poetry classes of Leila Steinberg in 1989.[14] In 1989, Steinberg organized a concert with Shakur's former group, Strictly Dope. The concert lead to him being signed with Atron Gregory who set him up with the up-and-coming rap group Digital Underground. In 1990, he was hired as the band's backup dancer and roadie.[4][5]
Rapping career
Shakur's professional entertainment career began in the e](https://sun9-73.userapi.com/impf/c1685/g8840922/b_99287559.jpg?quality=96&as=32x32,48x48,72x72&sign=92e7b6f224113d54561f7a2ce80373d0&u=1tS6pzQBO-LKrauRKUeZUUh1vTvVTiJ9h7-sm6gWwpE&cs=480x480 "2PAC fan club!!. Early life
Tupac Amaru Shakur was born in the East Harlem section of Manhattan in New York City.[7] He was named after Túpac Amaru II, a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed. His mother, Afeni Shakur, was an active member of the Black Panther Party in New York in the late 1960s and early 1970s; Shakur was born just one month after her acquittal on more than 150 charges of Conspiracy against the United States government and New York landmarks in the New York Panther 21 court case.[8] Although officially unconfirmed by the Shakur family, several sources list his birth name as either Parish Lesane Crooks or Lesane Parish Crooks.[9] Afeni feared her enemies would attack her son, and disguised their relation using a different last name, only to change it three months or a year later, following her marriage to Mutulu Shakur.
Struggle and incarceration surrounded Shakur from an early age. His godfather, Elmer Geronimo Pratt, a high ranking Black Panther, was convicted of murdering a school teacher during a 1968 robbery, although his sentence was later overturned. His stepfather, Mutulu, spent four years at large on the FBI's Ten Most Wanted Fugitives list beginning in 1982, when Shakur was a pre-teen. Mutulu was wanted in part for having helped his sister Assata Shakur (also known as Joanne Chesimard), his godmother, to escape from a penitentiary in New Jersey, where she had been incarcerated for allegedly shooting a state trooper to death in 1973. Mutulu was caught in 1986 and imprisoned for the robbery of a Brinks armored truck in which two police officers and a guard were killed.[10] Shakur had a half-sister, Sekyiwa, two years his junior, and an older stepbrother, Mopreme Komani Shakur, who appeared on many of his recordings.
At the age of twelve, Shakur enrolled in Harlem's famous 127th Street Ensemble. His first major role with this acting troupe was as Travis in A Raisin in the Sun. In 1984, his family relocated to Baltimore, Maryland,[11] After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. He performed in Shakespeare plays, and in the role of the Mouse King in The Nutcracker.[10] Shakur, accompanied by one of his friends, Dana Mouse Smith, as his beatbox, won most of the many rap competitions that he participated in and was considered to be the best rapper in his school.[12] Although he lacked trendy clothing, he was one of the most popular kids in his school because of his sense of humor, superior rapping skills, and ability to mix in with all crowds.[13] He developed a close friendship with a young Jada Pinkett (later Jada Pinkett Smith) that lasted until Shakur's death. In the documentary Tupac: Resurrection, Shakur says, Jada is my heart. She will be my friend for my whole life, and Smith calls Shakur one of my best friends. He was like a brother. It was beyond friendship for us. The type of relationship we had, you only get that once in a lifetime. A poem written by Shakur titled Jada appears in his book, The Rose That Grew From Concrete, which also includes a poem dedicated to Smith called The Tears in Cupid's Eyes.
In June 1988, Shakur and his family moved once again, this time to Marin City, California,[1] where he attended Tamalpais High School. Shakur began attending the poetry classes of Leila Steinberg in 1989.[14] In 1989, Steinberg organized a concert with Shakur's former group, Strictly Dope. The concert lead to him being signed with Atron Gregory who set him up with the up-and-coming rap group Digital Underground. In 1990, he was hired as the band's backup dancer and roadie.[4][5]
Rapping career
Shakur's professional entertainment career began in the e")
